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Nexus network journal. Volume 10, number 2, Autumn 2008, Canons of form-making in honour of Andrea Palladio 1508-2008 / Stephen R. Wassell and Kim Williams, editors

Contributor(s): Series: Nexus network journal ; volume 10, number 2Publisher: Basel : Kim Williams Books, 2008Copyright date: ©2008Description: 1 online resource (pages 211-380) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 3764387661 (ebook)
  • 9783764387662 (ebook)
  • 9783764387655 (paperback)
ISSN:
  • 1590-5896
  • 1522-4600 (eissn)
Other title:
  • Canons of form-making in honour of Andrea Palladio 1508-2008
Subject(s): Genre/Form: LOC classification:
  • NA2750
Online resources:
Contents:
Letter from the Editors -- Letter from the Editors -- Canons of Form-Making -- Andrea Palladio (1508-1580) -- Palladio, Pythagoreanism and Renaissance Mathematics -- A Formal Language for Palladian Palazzo Façades Represented by a String Recognition Device -- A Perspective Analysis of the Proportions of Palladio's Villa Rotonda: Making the Invisible Visible -- The Doric Order as a Fractal -- Roaming Point Perspective: A Dynamic Interpretation of the Visual Refinements of the Greek Doric Temple -- The Turkish Baths in Elbasan: Architecture, Geometry and Wellbeing -- Mathematics as the Vital Force of Architecture -- Didactics -- The Use of Linear Fractional Transformations to Produce Building Plans -- Geometer's Angle -- Dynamic Root Rectangles Part Three: Root-Three Rectangles, Palladian Applications -- Book Reviews -- Branko Mitrovié and Stephen R. Wassell (eds.) Andrea Palladio: The Villa Cornaro in Piombino Dese -- Deborah Howard and Laura Moretti (eds.) Architettura e Musica nella Venezia del Rinascimento.
Summary: This volume features a collection of papers dedicated to "Canons of Form-Making", in honor of the 500th anniversary of the birth of architect Andrea Palladio (1508-1580). Theorist as well as practitioner, Palladio's architecture was based on well-defined canons that he had gleaned from studying the treatises as well as the remains of architecture from antiquity. Palladio himself left to posterity not only his large corpus of built works, but his Quattro libri d'architettura. Three of the papers in this issue are specifically about Palladio and his work. The other papers deal with canons of form-making, ancient and contemporary.
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Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
e-Book M. Kamal Hassan Library M. Kamal Hassan Library E-Book Collection Web eb j NA 2750 N567W 2008 v10n2 (Browse shelf(Opens below)) 1 Online Access 00010990458

Includes bibliographical references.

Letter from the Editors -- Letter from the Editors -- Canons of Form-Making -- Andrea Palladio (1508-1580) -- Palladio, Pythagoreanism and Renaissance Mathematics -- A Formal Language for Palladian Palazzo Façades Represented by a String Recognition Device -- A Perspective Analysis of the Proportions of Palladio's Villa Rotonda: Making the Invisible Visible -- The Doric Order as a Fractal -- Roaming Point Perspective: A Dynamic Interpretation of the Visual Refinements of the Greek Doric Temple -- The Turkish Baths in Elbasan: Architecture, Geometry and Wellbeing -- Mathematics as the Vital Force of Architecture -- Didactics -- The Use of Linear Fractional Transformations to Produce Building Plans -- Geometer's Angle -- Dynamic Root Rectangles Part Three: Root-Three Rectangles, Palladian Applications -- Book Reviews -- Branko Mitrovié and Stephen R. Wassell (eds.) Andrea Palladio: The Villa Cornaro in Piombino Dese -- Deborah Howard and Laura Moretti (eds.) Architettura e Musica nella Venezia del Rinascimento.

This volume features a collection of papers dedicated to "Canons of Form-Making", in honor of the 500th anniversary of the birth of architect Andrea Palladio (1508-1580). Theorist as well as practitioner, Palladio's architecture was based on well-defined canons that he had gleaned from studying the treatises as well as the remains of architecture from antiquity. Palladio himself left to posterity not only his large corpus of built works, but his Quattro libri d'architettura. Three of the papers in this issue are specifically about Palladio and his work. The other papers deal with canons of form-making, ancient and contemporary.

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